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Abschied
1930
(Other title: So sind die
Menschen)
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Director: Robert Siodmak
Writers: Emmerich Pressburger and Irma von Cube
Restoration: b./w., German dialogue version
Year of restoration: 1998
Print: 35mm, 4 acts
Format: standard film format
Length: 2104,1 metres / 76:54 minutes
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Anna
Boleyn 1920 |
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Director: Ernst Lubitsch
Writers: Hanns Kräly and Fred Orbing
Restoration: b./w. and tinted, German intertitles
Year of restoration: 1998
Print: 35mm, 6 acts
Format: silent film format
Length: 2689,1 metres / 131:11 minutes
Recommended speed of projection: 18 images per second
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Asphalt
1929
(Other title: Polizeiwachtmeister
und die Brillanten) |
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Director: Joe May
Writers: Fred Mojo and Hans Szekely
Restoration: b./w., original German intertitles
Year of restoration: 1995
Print: 35mm, 5 acts
Format: silent film format
Length: 2559,9 metres / 102:04 minutes
Recommended speed of projection: 22 images per second
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Der
Berg des Schicksals 1924 |
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Director: Arnold Fanck
Writer: Arnold Fanck
Restoration: tinted, German intertitles
Year of restoration: 1995
Print: 35mm, 4 acts
Format: silent film format
Length: 2077,2 metres / 82:49 minutes
Recommended speed of projection: 22 images per second
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Die
Bergkatze 1921 |
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Director: Ernst Lubitsch
Writers: Hanns Kräly and Ernst Lubitsch
Restoration: b./w., German intertitles
Year of restoration: 2000
Print: 35mm, 6 acts
Format: silent film format
Length: 1933,2 metres / 84:47 minutes
Recommended speed of projection: 20 images per second
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Bigamie
1927 |
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Director: Jaap Speyer
Writer: Max Glass
Restoration: b./w., French intertitles
Year of restoration: 1992
Print: 35mm, 4 acts
Format: silent film format
Length: 1787,0 metres / 71:15 minutes
Recommended speed of projection: 22 images per second
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Der
blaue Engel 1929/30 |
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Director: Josef von Sternberg
Writer: Robert Liebmann
Restoration: b./w., German dialogue version
Year of restoration: 2001
Print: 35mm, 5 acts
Format: standard film format
Length: 2922,8 metres / 106:50 minutes
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Der
blaue Engel / The blue Angel 1929/30
German/English dialogue version |
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Director: Josef von Sternberg
Writer: Robert Liebmann
Restoration: b./w., German/English dialogue version
Year of restoration: 2001
Print: 35mm, 5 acts
Format: standard film format
Length 2857,0 metres / 104:25 minutes
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Ein
blonder Traum 1932 |
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Director: Paul Martin
Writers: Walter Reisch and Billy Wilder
Restoration: b./w., German dialogue version
Year of restoration: 2001, by Bundesarchiv-Filmarchiv,
Berlin for Friedrich-Wilhelm-Murnau-Foundation
Print: 35mm, 5 acts
Format: standard film format
Length: 2578,1 metres / 94:14 minutes
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Das
Cabinet des Dr. Caligari 1919/20 |
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Director: Robert Wiene
Writers: Carl Mayer and Hans Janowitz
Restoration: tinted, German intertitles
Year of restoration: 1998, EU/"Lumière"-project
Print: 35mm, 3 acts
Format: silent film format
Length: 1497,8 metres / 73:07 minutes
Recommended speed of projection: 18 images per second
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Dr.
Mabuse, der Spieler – Teil 1: Der große Spieler.
Ein Bild der Zeit 1921/22 |
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Director: Fritz Lang
Writer: Thea von Harbou
Restoration: b./w., German intertitles
Year of restoration: 2000
Print: 35mm, 10 acts
Format: silent film format
Length: 3528,4 metres / 154:45 minutes
Recommended speed of projection: 20 images per second
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Dr.
Mabuse, der Spieler – Teil 2: Inferno. Ein Spiel von
Menschen unserer Zeit 1921/22 |
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Director: Fritz Lang
Writer: Thea von Harbou
Restoration: b./w., German intertitles
Year of restoration: 2000
Print: 35mm, 7 acts
Format: silent film format
Length: 2612,2 metres / 114:34 minutes
Recommended speed of projection: 20 images per second
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Faust.
Eine deutsche Volkssage 1925/26 |
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Director: Friedrich Wilhelm Murnau
Writer: Hans Kyser
Restoration: b./w., German intertitles
Year of restoration: 1999
Print: 35mm, 5 acts
Format: silent film format
Length: 2443,4 metres / 97:25 minutes
Recommended speed of projection: 22 images per second
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Ein
Fest auf Haderslevhuus 1921/22 |
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Director: August Weigert
Writer: Ernst von Jordan-Bassermann
Restoration: tinted, German intertitles
Year of restoration: 2000
Print: 35mm, 5 acts
Format: silent film format
Length: 1327,67 metres / 58:14 minutes
Recommended speed of projection: 20 images per second
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Die
Fledermaus 1945 |
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Director: Geza von Bolvary
Writer: Ernst Marischka
Year of restoration: 2003
Available as Beta Digital
Running time: 94:56 minutes
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Frau
im Mond 1929 |
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Director: Fritz Lang
Writer: Thea von Harbou
Restoration: b./w., German intertitles
Year of restoration: 2001
Print: 35mm, 10 acts
Format: silent film format
Length: 4611,8 metres / 184:00 minutes
Recommended speed of projection: 22 images per second
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Frauen
sind doch bessere Diplomaten 1941
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Director: Georg Jacoby
Writers: Gustav Kampendonk and K. G. Külb
Year of restoration: 2003
Available as Beta-Digital
Running time: 89:55 minutes
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Die
Fünf von der Jazzband 1932 |
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Director: Erich Engel
Writers: Curt Alexander and Hermann Kosterlitz
Restoration: b./w. (but only the sound)
Year of restoration: 2003
Print: 35mm, 6 acts
Format: standard film format
Length: 2340,3 metres / 85:32 minutes
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Der
Golem, wie er in die Welt kam 1920 |
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Director: Paul Wegener
Writers: Henrik Galeen and Paul Wegener
Restoration: tinted, German intertitles
Year of restoration: 2000, EU/"Lumière"-project
Print: 35mm, 5 acts
Format: silent film format
Length: 1953,5 metres / 95:17 minutes
Recommended speed of projection: 18 images per second
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Der
große Sprung 1927 |
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Director: Arnold Fanck
Writer: Arnold Fanck
Restoration: b./w., German intertitles
Year of restoration: 2002
Print: 35mm, 7 acts
Format: silent film format
Length: 3045,0 metres / 121:40 minutes
Recommended speed of projection: 22 images per second
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Der
heilige Berg 1926 |
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Director: Arnold Fanck
Writer: Arnold Fanck
Restoration: tinted, German intertitles
Year of restoration: 2001
Print: 35mm, 6 acts
Format: silent film format
Length: 2629,8 metres / 104:52 minutes
Recommended speed of projection: 22 images per second
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Hilde
Warren und der Tod 1917/18 |
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Director: Joe May
Writer: Fritz Lang
Restoration: b./w., German intertitles
Year of restoration: 2000/2001
Print: 35mm, 5 acts
Format: silent film format
Length: 1386,1 metres / 67:37 minutes
Recommended speed of projection: 18 images per second
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Ihr
dunkler Punkt 1928
(Other title: Her dark past)
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Director: Johannes Guter
Writer: Robert Liebmann
Restoration: b./w., German intertitles
Year of restoration: 1999
Print: 35mm, 4 acts
Format: silent film format
Length: 2512,0 metres / 110:10 minutes
Recommended speed of projection: 22 images per second
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Der
Kampf der Tertia 1928
(Other title: Jugend von morgen)
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Director: Max Mack
Writers: Max Mack and Axel Eggebrecht
Restoration: tinted, German/French intertitles
Year of restoration: 1994
Print: 35mm, 7 acts
Format: silent film format
Length: 2572,9 metres / 102:35 minutes
Recommended speed of projection: 22 images per second
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La
Habanera 1937 |
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Director: Detlef Sierck
Writer: Gerhard Menzel
Restoration: b./w., German dialogue version
Year of restoration: 2000
Print: 35mm, 5 acts
Format: standard film format
Length: 2657,0 metres / 97:07 minutes
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Der
letzte Mann 1924 |
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Director: Friedrich Wilhelm Murnau
Writer: Carl Mayer
Restoration: b./w., German intertitles
Year of restoration: 2003
Print: 35mm, 6 acts
Format: silent film format
Length: 2027,1 metres / 80:50 minutes
Recommended speed of projection: 22 images per second
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Der
letzte Mann 1924
(English/American title: The last laugh)
American version |
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Director: Friedrich Wilhelm Murnau
Writer: Carl Mayer
Restoration: b./w., English intertitles
Year of restoration: 2003
Print: 35mm, 6 acts
Format: silent film format
Length: 1771,3 metres / 70:48 minutes
Recommended speed of projection: 22 images per second
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Liebe
muss verstanden sein 1933
This film was considered to be lost and was only recently
rediscovered!
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Director: Hans Steinhoff
Writer: Herbert Juttke
Restoration: b./w., German dialogue version
Year of restoration: 2003
Available as Beta Digital
Running time: 80:09 minutes
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Madame
Dubarry 1919 |
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Director:
Ernst Lubitsch
Writers: Hanns Kräly and Fred Orbing
Restoration: tinted, German/French intertitles
Year of restoration: 1999/2000
Print: 35mm, 7 acts
Format: silent film format
Length: 2579,9 metres / 126:15 minutes
Recommended speed of projection: 18 images per second
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Der
Mann, dem man den Namen stahl 1944/45 |
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Director:
Wolfgang Staudte
Writers: Wolfgang Staudte and Josef Maria Frank
Restoration: b./w., German dialogue version
Year of restoration: 1996, by Bundesarchiv-Filmarchiv, Berlin
for Friedrich-Wilhelm-Murnau-Foundation
Annotation:
In 1995 the Bundesarchiv-Filmarchiv, Berlin reconstructed
the film in accordance with the Friedrich-Wilhelm-Murnau-Foundation.
The original film was captured material in Sovjet archives
before being returned to the national film archives of
the GDR in the mid 50s (56 image-reels and 23 sound-reels).
The completion of the film out of many single components
took the Bundesarchiv-Filmarchiv 1 year. Now, the film
is available.
Print: 35mm, 4 acts
Format: standard film format
Length: 2269,0 metres / 82:56 minutes
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Der
Mann, der Sherlock Holmes war 1937
(Other title: Sherlock Holmes)
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Director:
Karl Hartl
Writers: Robert A. Stemmle and Karl Hartl
Restoration: b./w., German dialogue version
Year of restoration: 2001
Print: 35mm, 6 acts
Format: standard film format
Length: 3047,9 metres / 111:40 minutes
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Der
Mann, der seinen Mörder sucht 1930
(Other title: Der Himmelskandidat
/ Jim, der Mann mit der Narbe)
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Director: Robert Siodmak
Writers: Ludwig Hirschfeld and Curt Siodmak
Restoration: b./w., German dialogue version
Year of restoration: 1998
Print: 35mm, 3 acts
Format: standard film format
Length: 1436,8 metres / 52:31 minutes
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Mann
im Sattel 1944/1999 |
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Director: Harry Piel
Writer: Hanns Marschall
Restoration: b./w., German dialogue version
Year of restoration: 2000, by Bundesarchiv-Filmarchiv
Annotation:
At the end of World War II the film was finished except
for a few shots. For a long time the film was considered
to be lost until 74 image-reels and 50 sound-reels were
finally discovered unsorted as nitrate material in the
national film archives of the GDR. These film fragments,
found by the Bundesarchiv-Filmarchiv, certainly featured
the original film-sound, but Werner Schmidt-Boelcke's
music was not yet included – it had gotten lost.
In 1999 the film was completed by the Bundesarchiv-Filmarchiv
being the proprietor of the film material and the Friedrich-Wilhelm-Murnau-Foundation
as holder of the cinematographic rights. For the composition
of a new film music the Berlin composer and musician Lexa
Thomas could be enlisted.
After their completion the music parts were mixed with
the original sound which are now available.
Print: 35mm, 5 acts
Format: standard film format
Length: 2773,8 metres / 101:39 minutes
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Metropolis
1925 |
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Director: Fritz Lang
Writer: Thea von Harbou
Restoration: b./w., German intertitles
Year of restoration: 2002
Print: 35mm, 7 acts
Format: silent film format
Length: 3370,5 metres / 134:39 minutes
Recommended speed of projection: 24 images per second
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Metropolis
1925 |
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Director: Fritz Lang
Writer: Thea von Harbou
Original music: Gottfried Huppertz
New adaptation: b./w., German and English intertitles
Year of adaptation: 2002
Print: 35mm, combined, 7 acts
Format: standard film format
Length: 3379,4 metres / 123:31 minutes
Recommended speed of projection: 24 images per second
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Münchhausen
1943 |
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Director: Josef von Baky
Writers: Berthold Bürger and Fritz Thiery
Restoration: colour, German dialogue version
Year of restoration: 1995
Print: 35mm, 6 acts
Format: standard film format
Length 3152,5 metres / 115:13 minutes
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Die
Nibelungen – Part 1: Siegfrieds Tod 1923 |
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Director: Fritz Lang
Writer: Thea von Harbou
Restoration: b./w., German intertitles
Year of restoration: 1990
Print: 35mm, 7 acts
Format: silent film format
Length: 3212,8 metres / 140:55 minutes
Recommended speed of projection: 20 images per second
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Die
Nibelungen – Part 2: Kriemhilds Rache 1923 |
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Director: Fritz Lang
Writer: Thea von Harbou
Restoration: b./w., German intertitles
Year of restoration: 1990
Print: 35mm, 7 acts
Format: silent film format
Length: 3360,4 metres / 147:23 minutes
Recommended speed of projection: 20 images per second
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Nosferatu
1921 |
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Director: Friedrich Wilhelm Murnau
Writer: Henrik Galeen
Restoration: tinted, German intertitles
Year of restoration: 1995
Print: 35mm, 5 acts
Format: silent film format
Length: 1910,3 metres / 83:46 minutes
Recommended speed of projection: 20 images per second
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Orlac’s
Hände 1925 |
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Director: Robert Wiene
Writer: Ludwig Nerz
Restoration: b./w., German intertitles
Year of restoration: 1998
Print: 35mm, 7 acts
Format: silent film format
Length: 2252,9 metres / 89:50 minutes
Recommended speed of projection: 22 images per second
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Die
Pest in Florenz 1919 |
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Director:
Otto Rippert
Writer: Fritz Lang
Restoration: b./w., German intertitles
Year of restoration: 1999/2000
Annotation:
The existing version was developed on the basis of an
original camera negative, partly nitrate, partly acetate,
without opening credits or intertitles. The text of the
opening credits and the intertitles corresponds to the
censor's certificate. A film of the same production company
and year served as sample for the character type. The
position of the intertitles was given by handwritten numbers
in the negative.
The adaptation took place in 1999/2000 in a cooperation
of the Friedrich-Wilhelm-Murnau-Foundation and the Bundesarchiv-Filmarchiv.
Print: 35mm, 7 acts
Format: silent film format
Length: 2078,3 metres / 101:23 minutes
Recommended speed of projection: 18 images per second
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Phantom
1922 |
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Director: Friedrich Wilhelm Murnau
Writer: Thea von Harbou
Restoration: tinted, German intertitles
Year of restoration: 2003
Print: 35mm, 6 acts
Format: silent film format
Length: 2999,7 metres / 131:34 minutes
Recommended speed of projection: 20 images per second
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Robert
Koch, der Bekämpfer des Todes 1939
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Director:
Hans Steinhoff
Writers: Walter Wassermann and Charlotte H. Diller
Restoration: b./w., German dialogue version
Year of restoration: 2002
Annotation:
The only existing colour shots show the finally discovered
bacillus. The colour elements were found in the Bundesarchiv-Filmarchiv
and have now been put into the already existing material.
A print including these colour elements is now available.
Print: 35mm, 6 acts
Format: standard film format
Length: 3115,7 metres / 113:53 minutes
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Schatten
1923
(Other title: Eine nächtliche
Halluzination) |
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Director: Arthur Robison
Writers: Rudolf Schneider and Arthur Robison
Restoration: tinted, no intertitles
Year of restoration: 1999
Print: 35mm, 4 acts
Format: silent film format
Length: 1933,2 metres / 84:47 minutes
Recommended speed of projection: 20 images per second
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Schloss
Vogelöd 1921 |
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Director: Friedrich Wilhelm Murnau
Writer: Carl Mayer
Restoration: tinted, German intertitles
Year of restoration: 2002
Print: 35mm, 6 acts
Format: silent film format
Length: 1665,8 metres / 73:04 minutes
Recommended speed of projection: 20 images per second
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Der
Sträfling aus Stambul 1929
(Other title: Die zwei Frauen
des Thomas Zezi)
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Director: Gustav Ucicky
Writers: Frank Schulz and Robert Liebmann
Restoration: b./w., German intertitles
Year of restoration: 1995
Print: 35mm, 5 acts
Format: silent film format
Length: 2468,0 metres / 98:25 minutes
Recommended speed of projection: 24 images per second
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Sumurun
1920 |
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Director: Ernst Lubitsch
Writers: Hanns Kräly and Ernst Lubitsch
Restoration: tinted, German intertitles
Year of restoration: 2000
Print: 35mm, 6 acts
Format: silent film format
Length: 2355,1 metres / 114:53 minutes
Recommended speed of projection: 18 images per second
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Tagebuch
einer Verlorenen 1929 |
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Director: Georg Wilhelm Pabst
Writer: Rudolf Leonhardt
Restoration: b./w., German intertitles
Year of restoration: 1996/97
Print: 35mm, 7 acts
Format: silent film format
Length: 3032,5 metres / 120:55 minutes
Recommended speed of projection: 24 images per second
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Tartüff
1925
(Other title: Herr Tartüff)
American version
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Director: Friedrich Wilhelm Murnau
Writer: Carl Mayer
Restoration: b./w., English intertitles
Year of restoration: 2003
Print: 35mm, 7 acts
Format: silent film format
Length: 1754,6 metres / 69:58 minutes
Recommended speed of projection: 22 images per second
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Titanic
1942 |
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Director: Werner Klingler and Herbert Selpin
Writer: Walter Zerlett-Olfenius
Restoration: b./w., German dialogue version
Year of restoration: 1995
Print: 35mm, 5 acts
Format: standard film format
Length: 2414,3 metres / 88:14 minutes
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Walzerkrieg
1933 |
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Director: Ludwig Berger
Writer: Hans Müller and Robert Liebmann
Restoration: b./w., German dialogue version
Year of restoration: 2001
Print: 35mm, 5 acts
Format: standard film format
Length: 2464,9 metres / 90:06 minutes
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Warum
lügst Du, Elisabeth? 1944 |
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Director: Fritz Kirchhoff
Writer: Gerhard T. Buchholz
New adaptation: b./w., German dialogue version
Year of restoration: 2002
Print: 35mm, 4 acts
Format: standard film format
Length: 2138,9 metres / 78:11 minutes
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Die
wunderbare Lüge der Nina Petrowna 1929 |
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Director:
Hanns Schwarz
Writer: Hans Szekely
Restoration: b./w., German intertitles
Year of restoration: 1999
Print: 35mm, 8 acts
Length: 2914,2 metres / 116:12 minutes
Recommended speed of projection: 24 images per second
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